
Trained as an actress, Smith is a former winner of a MacArthur “Genius” Grant and is now a professor at NYU. She has created a new form of one-woman show, in which she presents a broad range of American characters as she has encountered them in one-on-one interviews. In the YouTube clip below, you can appreciate her acting talent. But what you might not realize is that each small performance piece is taken verbatim from an interview she conducted.
This makes her performance an extraodinary act of incarnating another person—often someone of another culture, sometimes a person of the opposite gender (she plays Studs Terkel in the first piece). She incarnates these characters with complete acceptance and boundless compassion. She never makes fun of her characters; she embodies them completely.
I have been thinking about her performance since it ended last night. I have been wondering why I have been thinking about her performance. And this is the conclusion I have come to.
Anna Deveare Smith demonstrates how it is possible to see beauty, truth, and goodness in anyone. And she has made this seeing and telling her life’s work. Seeing another person this way, I imagine, I am about as close to seeing Christ in that person as I would be face to face with Jesus. Watch, listen, ponder the meaning of this remarkable woman’s work.
Language warning: If you are going to watch this with a young person, turn it off after the piece about the Korean woman. Because the final character, a rodeo rider, uses the F-word. To my mind, even this “lapse of taste” (if that is really what it is) is an act of total acceptance of a character encountered.